{"version":"1.0","provider_name":"Ibbycat","provider_url":"https:\/\/www.ibbycat.cat\/es\/","author_name":"Webico","author_url":"https:\/\/www.ibbycat.cat\/es\/author\/webico\/","title":"L'altra mirada - Ibbycat","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"fhSg2wdyV1\"><a href=\"https:\/\/www.ibbycat.cat\/es\/llibre\/laltra-mirada\/\">L&#8217;altra mirada<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ibbycat.cat\/es\/llibre\/laltra-mirada\/embed\/#?secret=fhSg2wdyV1\" width=\"600\" height=\"338\" title=\"\u00abL&#8217;altra mirada\u00bb \u2014 Ibbycat\" data-secret=\"fhSg2wdyV1\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ibbycat.cat\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.ibbycat.cat\/wp-content\/uploads\/978-84-9795-286-6.jpg","thumbnail_width":140,"thumbnail_height":140,"description":"VII Premi de Narrativa Breu Josep Pascual Tirado. All\u00f2 que, llegint els dos primers contes, sembla un recull d\u2019hist\u00f2ries de ci\u00e8ncia ficci\u00f3 \u2013la mort s\u2019apareix en forma de jove de vint anys, un home travessa l\u2019espill de sa casa i es troba amb la versi\u00f3 en dona d\u2019ell mateix\u2013 deriva, a partir del tercer relat, cap al costumisme: \u00abEl monument\u00bb i \u00abLa partida del Formatgero\u00bb recreen la vida en una localitat valenciana de prov\u00edncies als anys cinquanta; \u00abContradictoris com som\u00bb i \u00abLa xica 10\u00bb s\u2019aproximen, des de diferents perspectives, a la discriminaci\u00f3 de g\u00e8nere: el primer se salva del pamflet pel contrapunt ir\u00f2nic del final; el segon, de plantejament acurat, es dilueix en un tancament anod\u00ed. L\u2019element fabul\u00f3s es repr\u00e8s a \u00abEl cirerer de Benadressa\u00bb \u2013en el qual un home s\u2019enamora d\u2019un arbre que acaba parlant-li\u2013 i en \u00abEra ella\u00bb, que tanca el conjunt amb la reaparici\u00f3 de la jove mort presentada en l\u2019obertura. En general, les narracions fluixegen per un exc\u00e9s d\u2019explicacions \u2013suggeriments i sarcasmes posteriorment explicitats que perden la for\u00e7a\u2013 i d\u2019arguments, en ocasions, previsibles; el millor, la sornegueria d\u2019algunes escenes i la representaci\u00f3 caricaturesca de l\u2019ambient recl\u00f2s i s\u00f2rdid de la postguerra. SORRIBES, Joan Andr\u00e9s  Brosquil"}